Photography, Крамоли

posticon Bulgaria, Old Lost Sites, Neolitic Dwellings

Neolithic Dwellings  in  Stara Zagora

The favorable Geographic and climatic conditions of the territory round Stara Zagora contributed to coming into being of lots of different settlements in the remote past. It was connected with the deep changes of all the means of living used by the people that had settled over our lands at the end of the 7th and the beginning of the 6th millennium B.C. People's occupation changed from "appropriating" to "producing" economy, e.g. hunting and collecting as basic means of living turned to animal breeding and agriculture This major qualitative leap is known as a "Neolithic revolution" or "Neolithisation" This new economic system stimulated the society development and brought to many changes in the style of living and culture of the ancient inhabitants in our lands: they had to live a more settled life compared to the life of people living before.

One of the earliest settlements in the vicinity of Stara Zagora dating back to this period is in the area of the District Hospital. Its first inhabitants came to live he beginning of the New Stone Age (6th millennium B.C.) and the last ones left it in the time of the late Iron Age (the end of the 2nd millennium B.C.).

During some archaeological excavations in 1968, in the layer dating back to the early Neolithic culture Karanovo II in Thrace (the middle of the 6th millennium B.C.) the specialists found remains of two dwellings: The settlement they belonged to had suddenly been burned down (destroyed by fire). Almost everything belonging to these dwellings had been burned under the burned walls: This is the reason they are not best preserved among all the European dwellings dating back to this age.

These dwellings had been built at one and the same time. They consist of only one room having an irregular rectangular shape with a common partition wall between each of the rooms. The dimensions of the bigger one (the southern) are 6 x 5.2 m and those of the smaller one 5.2 x 3 m. The walls had been built of wooden stakes fixed into the ground and thin poles entwined into them. Then a mixture of clay and straw had been spread over tins construction. They had a two-deck roof made of straw, rush and others. The bigger dwelling had a southern entrance. The floor is rammed and covered with a thick layer of clay:

The oven that served to heat the dwelling and to cook the meals is at the northern wall. It has an arch opening. Some crooked earthen fittings were found in front of the oven. They comprised parts of some equipment serving to lead the smoke out of the dwelling. There is a rectangular earthen platform to the south of the oven: It had been a kind of couch. Two stone grinders were found at the west side of the oven. They had served for grinding corn. They consist of upper and lower millstones: The lower millstone has got an earthen edge that had prevented the corn from falling. You can see some large earthenware used for grain stores. Charred wheat, barley, vetch and others were found in some of the vessels. In the southeastern corner of the dwelling you can see three earthen supports bifurcated in their upper ends. There are almost the same supports in the other premises. It is most probable that the family living in the dwelling had used them for some cult rites.

Very impressive is the quantity and variety of earthenware scattered round the dwelling. Most of the vessels had not been on the places where we see them now. They had been arranged on some shelves put up round the walls but they had fallen down during the fire.

The entrance of the smaller dwelling was to the east. We see here the same fittings and equipment that we saw in the larger one. There is no special place for a couch here. All the equipment and fittings speak of the rational usage of the space.

Perhaps modern people coming to visit the remains of these early Neolithic Dwellings preserved up to now will find them somewhat simple and imperfect. But if the people living nowadays having all the knowledge and culture piled up throughout the ages would try to build these dwellings using the unknown ancient instruments of production they would hardly manage to do it.

The prehistoric inhabitants of our lands had made all this not knowing how to work out the metal. All their instruments were made of stone and flint axes, adzes, chisels, scraper, angers and so on.

As the excavated dwellings showed great archaeological and scientific importance it was decided to preserve these remains. A special preservation building with an exhibition hall was raised round the remains. One can see here the best pieces of prehistoric art found during the archaeological excavations in the vicinity of Stara Zagora earthenware, religious pieces of plastic art, ornaments and others.

Among the early Neolithic earthenware (6th millennium B.C.) prevail those of cylindrical and hemispheric shape. They are handmade, not using a potter’s wheel. They have thin walls and are well baked. Some of them have white geometrical ornaments drawn on the red bottom of the vessel in several zones. Others have grey, black or brown polished surface most often decorated by carved “fish-bone” ornaments.

Characteristic for the Late Neolithic (5th millennium B.C.) are the two-conic vessels with well-expressed central fringe. Very impressive is the variety of ornaments - carved and incrusted with some white stuff fluting, paintings in white and so on. At the end of the 5th millennium B.C. the prehistoric man who was living in our lands found the first metal: copper. Seven kilometers northwest of Stara Zagora specialists were made their research work through one of the largest and most ancient Neolithic copper mines in South-Eastern Europe. Ore output, production of copper articles and their trade stimulated the development of the society in those days. During that period the prehistoric art reached some particular peak that had nothing to he compared with in the previous ages.

The ceramics of the early Neolithic (the end of the 5th and the beginning of the 4th millennium B.C.) were characterized by its fine round forms. The tulip-formed vessels have a most aesthetic effect. They are decorated with polished zones and geometrical ornament incrusted in white paint. Together with this technique the prehistoric artist began to use the graphite ornament. The decoration is very florid - triangular, concentric circles, spirals, meanders and other geometrical forms. This decoration covers the whole surface of the vessel. This silver glitter of the graphite on the black polished surface of the vessels gives an unforgettable artistic impression.

Impressive are also the variety and the complexity of the pottery forms, at the end of the Neolithic. The graphite ornaments were used very frugally and they are found only in the upper part of the vessel. All the ornaments of the Neolithic pottery are geometrical and styled. There are no scenes of the real life of the people.

The Bronze Age (3rd millennium B.C.) brought changes in the pottery style: The graphite ornaments disappeared. The earthen necropolis was found near to the settlement hill of Bereketska Street.

The ancient animal breeding and agricultural tribes showed their concept of the world, the idea of giving birth and fertility, the cult of the earth through modeling of human and animal earthen, bone and marble figures. In tile period of early Neolithic the sculpture images are very schematic. In the late Neolithic the ancient artist together with the reality of the basic idea strives to give more details of the human face, body, clothes and ornaments.

Some masterpieces dating back to this period are the marble human figure found in Stara Zagora Spa, the head of an earthen human figure found in the village of Dinya, an anthropic zoo-morph earthen figure found in the dwellings round the District Hospital in Stara Zagora and some others.

A lot of ornaments made of marble, copper, bone, clay, shells and others, show great taste of their masters. Very famous were the ornaments made of the Mediterranean mussel "Spondulus". A golden children's bracelet was found in the settlement hill of Bereketska near Stara Zagora. It dates back to the 5th millennium B.C. It is one of the most ancient golden ornaments found in the world.

Leaving the display called "Prehistoric Art In The Vicinity Of Stara Zagora", we feel the intransient value of all that people living in our lands created ages ago. This art shows the level of development reached by this ancient civilization.

For being information and photos about Neolithic Dwellings I would like to thank to Mrs. Stoika Kairakova - keeper of the museum in Stara Zagora. If you would like to visit and see this incredible ancient place  you could phone her for visit: ++359 42 22 109. Spoken languages: French, English, Russian, Czech and Slovakian.

 

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posticon Bulgaria, Villages, Nessebur

The Ancient Pearl - Nessebur

UNESCO World Heritage Site

Nessebur is situated on a small Peninsula linked with the mainland by a narrow 400 m long isthmus. A port in Thracian times, at the end of the 6th century b. c. the Dorian Greeks turned it into a lively trade centre while preserving its Thracian name of Mesambria.

A large part of the ancient town has been irreversibly destroyed - the originally some 40 ha large peninsula is a mere 24 ha today.

Dating back to the 12th-6th century B.C. are a gate and the now submerged remains of the town's former fortifications. Other remains include the ruins of fortress walls and carved limestone towers, archaeological remnants of the agora in the centre, the acropolis, an ancient temple, the peristyle and of several dwellings.

Unaffected by Roman rule, the town existed independently before it became part of Byzantium, together with the entire Balkan Peninsula. The most important monument surviving from Byzantine times is the St. Sophia basilica, also known as the Old Metropolitan (rising in the place of the ancient agora).

Within the boundaries of the Bulgarian state during the 13th and 14th century, when the country was at its strongest both politically and economically, experiencing a cultural upsurge, Nessebur was a town of the 40 churches (built during the 11th to 14th century). Preserved until the present of these are: the New Metropolitan - St. Stefan, St. John the Baptist, St. Todor, St. Paraskeva, St. Christ Pantocrator, St. John Aliturgetos, Orthodox Church, Basilica Virgin Merciful and the Sts. Archangels Michael and Gabriel church.

The New Metropolitan or St. Stefan (11th c.) is one of the last representatives of basilicas in mediaeval Bulgaria with perfectly preserved murals dated 1593 and 1599. Some of the compositions are influenced by Italian paintings but maritime themes and subjects are nevertheless characteristic.

St. John the Baptist (10th-11th c.) represents the transition between a basilica and cross-domed church.

St. Christ Pantocrator is one of the best-preserved mediaeval churches in Bulgaria. The exterior facades are decorated with colourful ceramics depicting different motifs.

Similar in shape, but with richer decoration and sculptures is the St. John Aliturgetos church. Its facades are intricately broken by pilasters and arches with rhythmically alternating white stone and red bricks.

The St. Archangels church has extremely picturesque facades with two rows of decorative blind arches, the upper row being broken by large semi-circular gables.

On the whole, the mediaeval Nessebur churches are characterized by intricate decorative elements and combinations of stone and bricks, by immured glazed ceramic discs and fourleaved rosettes. Niches, consoles and arcades also break the facades.

The houses, which lend their peculiar 19th century air to present day Nessebur, were built during the Bulgarian National Revival period. The typical 18th-19th century Nessebur house have small yards facing the street, which is demarcated by the walls of the lower floors and fences. A wooden staircase leads up to the second floor, which is lightly structured and completely faced with wood. The overhanging roof eaves serve to optically narrow the streets still further. The parlour from which numerous doors lead to the remaining rooms occupies the central living quarters. Wooden ceilings and whitewashed walls characterize the interior. The upper floor windows are wide, those on the ground floor are narrow and few in number. The Ivan Markov, Pipchepkov, Capt. Pavel  Bogotov, Zhelyu Bogdanov, Lambrinov, Toulev, Diamandiev, Hadjitraev, Hristo Kochev and Muskoyannis houses are all worth seeing. The Lambrinov and Muskoyannis houses, in particular, have richly decorated facades and interiors.

It one impressive work the Fortress Wall of Nessebur also. Do not miss to see also Windmill on Causeway 1 and Windmill 2.

Nessebur's intransient value and its centuries-old cultural wealth have gained due recognition with its inclusion in the UNESCO List of World Cultural Heritage in 1983.

 

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posticon Bulgaria, Natural Phenomena, Melnik

The Sandstones of Melnik

 

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It is in the south-western part of the Pirin Mountains that you will find the Melnik pyramids-sheer, strangely shaped sand and limestone rocks. Melnik, one of Bulgaria's smallest towns, is located right amidst this fantastic scenery.

A border settlement during the Early Middle Ages, the town found itself on the different sides of the Bulgarian-Byzantine border at different times.

Between 1205 and 1229 the feudal lord Alexi Slav - the ruler of Southwest Bulgaria, made Melnik its capital, but by the mid-13th century the town was subjected to Byzantine rule. Even today the ruins of the 13th century Boyar's House form part and parcel of Melnik's silhouette.

During the 17th-18th century the production of gold leaved tobacco and strong red wine turned Melnik into a flourishing merchant town whose fame spread even to such traditional wine producing countries as France, Spain, Italy and Austria.

Its population started building houses on a grand scale atop the foundations of destroyed medieval buildings. Construction centered closely along the banks of the river and its two tributaries flowing into it in the town's center. From here the houses move theatrically upwards along the rocky slopes.

The lower floors are high, the top floors lightly structured, with brought forward eaves and two rows of windows in most cases.

Besides being enhanced, inside lighting thus also gains an artistic impact, while the exterior appears much more impressive, creating an illusion of more floors. The main entrance leads into the traditional salon around which the various living and household quarters are grouped.

One corner is taken up by a glassed terrace and transformed into a balcony in later years. Small corridors lead from the salon to the rest of the rooms, equipped with small windows letting in additional light and replacing the medieval embrasures. Rounded fireplaces extending into chimneys (part of both the interior and exterior), stone towers with open verandas on the top floor and the absence of yards are all typical features of the Melnik house. The lower floor contains the cellar where the famous Melnik wine is aged. The cellar itself is entered via an intricate maze of artificial tunnels dug into the rocks.

The Kordopoulov House, built in 1754, belonged to the wine merchant Manolis Kordopoulis, famous throughout Europe. Two of its four stories are made of stone. Seven inner staircases link the various floors and garret rooms. The salon is lit by the light of 24 windows arranged in two rows. The upper row is made of colored Venetian glass softly filtering the light onto the painted walls, carved ceilings and cupboards. Low window-seats run along three walls, and the wooden floors are covered with colorful rugs. The corner canopy is made in the expensive fabrics. In the big maze for wine you can see lots of enormous tunes.

The Pashovata House, built in 1815, is another impressive example of local architecture with its two stories and garret rooms. A large salon forms the center of the living area, surrounded by 8 rooms and a bathroom. Carved ceilings, marble fireplaces and richly decorated cupboards characterize the interior.

Of the five National Revival period churches preserved in Melnik, the St. Nikolai - The Miracle-Worker (1756) is the most significant one. In all likelihood the same master who constructed the Kordopoulov House built it.

Although painted by an unknown master, the church murals and icons are artistically valuable.

Just as suddenly as Melnik appears amidst the natural, inaccessible fortress of the Sandstone Pyramids, just as unexpectedly does it reveal its wealth.

 

posticon Bulgaria, Caves, Magura Cave

Magura Cave

 

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Magura Cave is one prehistorical very interesting cave and the only one place in Bulgaria where you cab see prehistorical paintings on the wall.

It is situated between Belogradchik and Vidin.